Port Townsend Film Festival

Archives > 2006 > Documentaries

Between Iraq and A Hard Place

BETWEEN IRAQ AND A HARD PLACE
narrated by Martin Sheen
with director Rex J. Pratt and members of the 1st Battalion, 2nd Marines, Alpha Co., 3rd Platoon

On March 20, 2003, this nation's second conflict with Iraq began as one response to the War on Terrorism that began in the aftermath of the destruction of the World Trade Center and damage to the Pentagon on 9/11. Among those engaged in the war were the members of the 3rd platoon of Alpha Company (1st Battalion, 2nd Marines) who moved into Nasiriyah, Iraq on that first day. This is their story. It is not a political tract; the film takes no position on the war. The men have a job to do and the film shows us how they do it. As one trauma specialist says: if we support this war, then we owe these men a debt; if we did not work hard enough to prevent the war, we still owe them a debt. Audio and video footage taken by members of the platoon illustrate the story as do interviews with the men and the counselors who work with combatants upon their return from the distress of war. USA, 2006, 64 min.

Director: Rex J. Pratt; Producer: James Pratt; Screenwriter: Rex J. Pratt; Cinematographer: Rex. J. Pratt; Print Source: Pratt Bros. Entertainment, rpratt@cox.net
SPONSOR: Olympic Art & Office

The Camden 28

THE CAMDEN 28

In the early morning hours of Sunday, August 22, 1971, FBI Director J. Edgar Hoover and Attorney General John Mitchell announced that FBI agents had arrested 20 anti-war activists in and near a draft board office in Camden, New Jersey. Five days later, Mitchell publicly announced their indictment and included eight others linked to the break-in. The major charges were conspiracy to remove and destroy files from the draft board. If convicted, some faced up to 47 years in federal prison. Among the group were four Catholic priests, 22 Catholic laypeople, and one Lutheran minister. The men and women arrested that summer called themselves "America's conscience." The government called them the Camden 28. This is their story. USA, 2005, 90 min.

Director: Anthony Giacchino; Producers: Anthony Giacchino, David Dougherty; Cinematographer: David Dougherty; Editors: Brandon Park, Anthony Giacchino; Print Source: ECC Media, LLC, camden28@gmail.com, www.candem28.org
SPONSOR: SeaHome Services, Inc.

The Cats of Mirikitani

THE CATS OF MIRIKITANI

How do dreams survive on the streets of New York City when you both work and live on them? When you are an octogenarian outsider artist whose only roof is a tarp? This is the story of Jimmy Mirikitani, a Japanese-American born in the U.S. in 1920, whose family returned to Hiroshima before World War II. Hoping to avoid the Japanese draft, Jimmy returned to the U.S. where he was interned with other American citizens of Japanese ancestry for the duration of the war. Life in the camps became the decisive season of his life and desolate images of that experience appeared frequently in his work that also had a brilliant side with his colorful portraits of dreamy kittens and fierce tigers. Living in Washington Square Park on 9/11, he was rescued from the toxic dust from the collapse of the World Trade Center towers by an admirer of his work. She took him into her own apartment, worked with him to find his own quarters and then returned with him to the California internment camp for a redemptive reunion. USA, 2006, 74 min.

Director: Linda Hattendorf; Producers: Linda Hattendorf, Masa Yoshikawa; Cast: Jimmy Mirikitani, Tsutomu Mirikitani; Print Source: movius4@ix.netcom.com
SPONSORS: Max Grover Gallery & Homer Smith Insurance

Dancing Lessons

DANCING LESSONS

This documentary tells the World War II story of a young, South African, Jewish dancer, Sadie Rigal, who led a double life as a performer "hidden in the spotlight," and as a member of the French Resistance. Rigal (now Florence Waren) survived the Final Solution at the famous Bal Tabarin music hall and rose to fame as the "best dancer in Paris," while rescuing dozens of Jews and other victims of Nazi persecution. Fate, courage, compassion, and luck contributed to Rigal's astounding survival. Dancing Lessons leads the viewer to consider the broader spiritual issues surrounding acts of mercy and compassion. Never-before-seen archival film and animated stills bring the epoch of the occupation to life. Interspersed among the seductive black and white images, Rigal, her friends and associates speak through interviews that illuminate their tales of courage and compassion, hope and horror. USA, 2005, 80 min.

Director: Mark Waren; Producer: Mark Waren; Cinematographer: Kevin Keating; Print Source: Amy Strobel, Dramatic Risks, inc., dramrisk@aol.com
SPONSORS: Earthenworks Gallery & Wilson Insurance, Inc.
Fisher Poets

FISHER POETS
with Director Jennifer Winston and several fisher poets

Fisher Poets is the story of a unique breed of commercial fishermen who spin tall tales and weave true stories of life at sea through vivid and powerful poetry. Strong of character and steeped in tradition, these men and women from America's last great frontier share their passions in tight rhymes and prose verse. The documentary joins them at "The Fisher Poets Gathering" where amateurs and professionals alike prove that what they take from the sea is more than the catch of the day, it's food for thought. "This is where I draft my love letters to the industry," says fisherman Dave Densmore. He is just one of the salty characters who tell the world how the food on their plate represents a community upon extinction. A fisher poetry reading follows the screening. USA, 2006, 42 min.

Director: Jennifer Winston; Producer: Jennifer Winston; Cinematographer: Jennifer Winston; Print Source: Jennifer Winston, winnie1492@yahoo.com
SPONSORS: Fleet Marine & Port Townsend Shipwrights Co-op

Independent America

INDEPENDENT AMERICA: THE TWO LANE SEARCH FOR MOM AND POP
with Directors Heather Hughes and Hanson Hosein

Two former NBC journalists, husband and wife, hit the road, traveling 13,000 miles through 32 states in search of "Independent America." Sticking to secondary highways and only doing business with Mom and Pop stores, the filmmakers discover a growing rebellion across the country, beginning in Port Townsend where they interview opponents of a new Hollywood Video store. As the couple travels, their reports feature a Starbucks that is vandalized in Colorado, supporters of an anti-big-box law in Arizona who are compared to Nazis, and patriotic residents of America's "Fourth of July" capital in Nebraska who start to turn on their new super center. It's a somber yet entertaining snapshot of a country at loggerheads with the free market economy it so proudly mastered. USA, 2005, 81 min.

Director: Hanson Hosein; Producers: Heather Hughes, Hanson Hosein, Tom Powers; Screenwriters: Hanson Hosein, Heather Hughes; Print Source: Independent America Media, production@hrhmedia.com
SPONSORS: The Food Co-op & Mt. Townsend Creamery

White Shadows

WHITE SHADOWS
with Director Mialyn Hanna

An unflinching portrayal of survival and transformation, White Shadows profiles Dalee Henderson, a famed celebrity hairstylist who is diagnosed with AIDS and must reconcile himself to the changes the disease affects upon his body and mind. A gay, African American raised in the rural, segregated South of the 1950s, Dalee escaped to the West Coast in the late 1970s where he achieved great professional and personal success, amassing a wealth of friends by virtue of his gregarious nature. His life changed when he learned of his HIV status, but his spirit and hope remain despite the deterioration of his body. USA, 2006, 72 min.

Director: Mialyn Hanna; Producer: Mialyn Hanna; Screenwriter: Mialyn Hanna; Cinematographers: Juerg Walther, Michael Santi, Rudi Milanovich, Mialyn Hanna; Editor: Octavio Iturbe; Music: Philip Glass; Print Source: Lemurian Films, mialyn@earthlink.net
SPONSOR: The James House

Finding Thea

FINDING THEA
with Directors Lucy Ostrander and Nancy Bourne Haley

A tale of love, courage and immigrant ingenuity, Finding Thea is a family saga that is an inspiration to generations. Throughout her life and work, Norwegian-born Thea Foss became a pioneer archetype for women in the first half of the 20th century when she established the Foss Tug Company. The film combines rare archival footage and photos along with contemporary reflections of her legacy along Washington state's waterfronts. As historian Michael Sullivan comments, the film explores the story of a strong woman who built an empire without being an empire builder. USA, 2006, 25 min.

Directors: Lucy Ostrander, Nancy Bourne Haley; Producers: Lucy Ostrander, Nancy Bourne Haley; Screenwriter: Nancy Bourne Haley; Cinematographer: Don Sellers; Editor: Don Sellers; Music: Hale Bill & the Bopps; Print Source: Luna Film & Video, lucy@stourwater.com

Followed by

Tugboat Annie

TUGBOAT ANNIE
Marie Dressler and Wallace Beery were hardly realistic prototypes of Thea and Andrew Foss, but the veteran actors made millions laugh in the 1930s in films based on Saturday Evening Post stories by Norman Reilly Raine who used Thea Foss as his inspiration. Tugboat Annie was the first of three films that later evolved into a 1950s television sitcom. USA, 1933, 86 min.

Director: Mervyn LeRoy; Producer: Metro-Goldwyn-Mayer; Screenwriters: Norman Reilly Raine, Zelda Sears, Eve Green; Cinematographer: Gregg Toland; Print Source: The Don McCune Library, 206-726-2650
SPONSOR: Don's Pharmacy

The Car

↑ TOP ↑